• Artworks
    • Fernando Mastrangelo Salt Pools, 2023 Hand-dyed crushed glass 39 x 28 in.
      Fernando Mastrangelo
      Salt Pools, 2023
      Hand-dyed crushed glass
      39 x 28 in.
    • Fernando Mastrangelo Arctic Blue, 2017 Hand-dyed sand and powdered glass 39 x 28 in.
      Fernando Mastrangelo
      Arctic Blue, 2017
      Hand-dyed sand and powdered glass
      39 x 28 in.
    • Fernando Mastrangelo Arctic, 2019 Powdered glass and sand 36 in. diameter
      Fernando Mastrangelo
      Arctic, 2019
      Powdered glass and sand
      36 in. diameter
    • Fernando Mastrangelo Arctic, 2019 Powdered glass and sand 36 in. diameter
      Fernando Mastrangelo
      Arctic, 2019
      Powdered glass and sand
      36 in. diameter
    • Fernando Mastrangelo Drift, 2023 Powdered glass and sand 48 in. diameter
      Fernando Mastrangelo
      Drift, 2023
      Powdered glass and sand
      48 in. diameter
    • Fernando Mastrangelo Nevada Hand-dyed sand and powdered glass 39 x 28 in.
      Fernando Mastrangelo
      Nevada
      Hand-dyed sand and powdered glass
      39 x 28 in.
    • Fernando Mastrangelo Richter Black Hand-dyed sand and powdered glass 39 x 28 in.
      Fernando Mastrangelo
      Richter Black
      Hand-dyed sand and powdered glass
      39 x 28 in.
    • Fernando Mastrangelo Sand + Salt Hand-dyed sand and salt 39 x 28 in.
      Fernando Mastrangelo
      Sand + Salt
      Hand-dyed sand and salt
      39 x 28 in.
    • Fernando Mastrangelo Terra Yves, 2019 Hand-dyed crushed glass 39 x 28 in.
      Fernando Mastrangelo
      Terra Yves, 2019
      Hand-dyed crushed glass
      39 x 28 in.
    • Fernando Mastrangelo Glacier, 2017 Hand-dyed sand and powdered glass 39 x 28 in.
      Fernando Mastrangelo
      Glacier, 2017
      Hand-dyed sand and powdered glass
      39 x 28 in.
    • Fernando Mastrangelo Drift Mirror Rager Powdered glass and mirror 39 x 28 in.
      Fernando Mastrangelo
      Drift Mirror Rager
      Powdered glass and mirror
      39 x 28 in.
    • Fernando Mastrangelo Drift Mirror Teal Hand-dyed sand and mirror 36 in. diameter
      Fernando Mastrangelo
      Drift Mirror Teal
      Hand-dyed sand and mirror
      36 in. diameter
  • Biography

    Fernando Mastrangelo's striking sculptures occupy a fluid space at the convergence of art and design, allowing for an expansive interpretation of both their visual aesthetic and rational intention. References to art history and social issues pervade the works, enticing a rich and multilayered appreciation of both their form and content.

    To create his sculptures, the artist uses materials common to quotidian life but entirely atypical of fine art, including salt, coffee, sand, glass and cement. He then combines the raw materials with resin, and other industrial components, to create deeply textured and evocative works. Muted palettes, punctuated by soft shadows of color, belie a complex quality that harmoniously integrates this seemingly contradictory practice.

    The inherent paradox of his sculptures, yields a unique visual character which foregrounds both the organic nature of each element and the creative and intellectual motivation behind their use. For Mastrangelo, "materials are metaphors, they are inherently loaded with content." The imperative of his creative process is to provoke a conscious reflection on the human condition and stimulate a narrative between the work itself and the objective concern it addresses.

  • CV

    Born 1978
    Lives and works in Brooklyn, NY

    EDUCATION

    MFA, Sculpture, Virginia Commonwealth University, Richmond, VA
    BFA, Sculpture, Cornish College of the Arts, Seattle, WA
    Pilchuck Glass School, Stanwood, WA

    SOLO EXHIBITIONS

    2019
    The Vallée - Art Basel Collectors Lounge, w/Audemars Piguet, Basel, Switzerland; Miami, FL; and Hong Kong, China
    Tiny House Installation, DesignxNY, Times Square, New York, NY
    Capital Collection, Dubai Design District, Dubai, UAE
    2018
    Collective Design Fair, New York, NY
    Zona Maco, Mexico City, MX
    2017
    Reverence, Edward Fields, New York, NY
    Ridge, Sight Unseen OFFSITE, New York, NY
    Ghost & Thaw, Collective Design Fair, New York, NY
    ESCAPE, Maison Gerard, New York, NY
    2016
    FADE, Sight Unseen OFFSITE, New York, NY
    Drift Collection, The New, Los Angeles, CA
    Collective Design Fair, New York, NY
    2015
    Drift, RH Contemporary Art, Los Angeles, CACollective Design Fair, New York, NY
    NOTHING, Mike Weiss Gallery, New York, NY
    2013
    Medallions, Kowal+Odermatt, Miami, FL
    2012
    This too Shall Pass, Zoya Tommy Contemporary, Houston, TX
    2011
    Black Sculpture, Charest-Weinberg, Miami, FL
    2009
    Felix, Mendes Wood Gallery, Volta, New York, NY
    LoVE is a smoke made with the fume of sighs, Kumukumu Gallery New York, NY
    2006  
    Malicia, rare, New York, NY

    GROUP EXHIBITIONS

    2024
    Acquired! Shaping the National Design Collection, Cooper Hewitt Smithsonian Design Museum, New York, NY
    2018
    In Good Company, Brooklyn, NY
    CHUNK, collaboration with Anna Karlin, New York, NY
    Coal Planter, collaboration with Boyd Holbrook, Sight Unseen OFFSITE, New York, NY
    A New Breed, 1stDibs, Milan, Italy
    2017
    In Good Company, Brooklyn, NY
    PAD London, Rosanna Orlandi, London, UK
    ESCAPE, Salone Del Mobile, Rosanna Orlandi, Milan, Italy
    2016  
    Salone Art + Design, Maison Gerard, New York, NY
    Salone Del Mobile, Rosanna Orlandi, Milan, ItalyHeavy, James, Art Geneve, Switzerland
    ​2015  
    Anonimo, M Building, Miami, FLBrooklyn Museum Artist Ball, Brooklyn, NY
    Gold, Neuberger Museum, Purchase, NY
    ​2014
    NADA Art Fair, Miami, FL
    Miami Project, Kasher|Potamkin Gallery, Miami, FL
    Salon NY, De Lorenzo Gallery, New York, NY
    barriococo, Royal Society of American Art, Group Show, (curated by Ian Cofre), New York, NY
    Gold, Dillion Gallery, New York, NY
    NWBLK, New Blood, San Francisco, CA
    Texas Contemporary, Special Projects, Houston, TX
    Ventura, Design Junction, London, UK
    Intangible Beauty: Beautiful Women, Kasher|Potamkin Gallery, New York, NY
    Gold, Bass Museum, (curated by Jose Diaz) Miami, FL
    Storage Wars, Eric Firestone Gallery, East Hampton, NY
    Good Taste, BofA Center, Houston, TX
    Post Psychadellic Dreams, Grey Area, East Hampton, NY
    AMMA Studio, Site Unseen Offsite, New York, NY
    AMMA Studio Launch, Standard Hotel, New York, NY
    ​2013
    Group Show, Kowal+Odermatt, Miami, FLElle Decor Showhouse, Miami, FLSpecial Projects, Scope Show, Miami, FLMiami Project, Eric Firestone Gallery, Miami, FL
    Maize y Mas: From Mother to Monster, MACLA, San Jose, CA
    ​2012
    EAF 12, Socrates Sculpture Park, Long Island City, NYConnecting Cultures, Brooklyn Museum, Brooklyn, NY
    2010
    Tondo, FAS Contemporary, London, UK
    MS13, Mendes Wood Gallery, Armory Show, New York, NY
    ​2009
    Herd Thinner, Charest-Weinberg, (curated by David Hunt), Miami, FL
    CHIMERA, Scope Show, (curated by David Hunt) Miami, FLData Panic, Cuchifritos, (curated by Franklin Evans and Amanda Church) New York, NY 2008 Avarice, Mendes Wood Gallery, Basel, SwitzerlandIntransit, Moti Hasson Gallery, (curated by Omar Lopez Chahoud) New York, NYDeadliest Catch: Hamptons, South Hamptons, NYChariker, Foster, Holtz, Mastrangelo, Wright, RHYS Gallery, Boston, MA
    ​2007
    Red Badge of Courage, Newark Arts Council, (curated by Omar Lopez-Chahoud) Newark, NJ
    Eastasia, Damrosch Park, Lincoln Center, New York, NY
    ​2005
    Waiting for the Barbarians, rare, (curated by David Hunt) New York, NYLe Desert de Retz, Massimo Audiello Gallery, (curated by David Hunt) New York, NYErgonomicon, Consolidated Works, (curated by Casey Keeler) Seattle, WA
    2004  
    MFA Thesis Exhibition, VCU, Richmond, VA

    PERMANENT COLLECTIONS

    Brooklyn Museum, NY
    Cooper Hewitt Museum, NY

    SELECTED BIBLIOGRAPHY

    Ryan Waddoups, "Patagonian Glaciers Inspire Fernando Mastrangelo's New Drift Collection" Interior Design, May 2016
    Hannah Martin, "Dazzle Your Garden With Sparkling Furnishings by Fernando Mastrangelo" Architectural Digest, July 2015
    Elaina Ransford "Every New Concept Comes as a Judgment" FLAUNT Magazine, March 2015
    Tim McKeough "Fernando Mastrangelo's Striking New Paintings are Made from Salt, Sand and Resin" Architectural Digest, March 2015
    Nate Freeman "http://observer.com/2015/03/12-things-to-do-in-new-yorks-art-world-before-march-16/" New York Observer, March 2015
    Jenny Che "Miami Beach's Bass Museum of Art Looks at Gold Wall Street Journal, November 2014
    JL Schnabel "The Art of Fernando Mastrangelo" Hi Fructose, May 2012
    Katy Donoghue, "Fernando Mastrangelo: Black Sculpture", Whitewall Magazine, Nov. 2011
    Erin Dyer, "Fernando Mastrangelo" Juxtapoz Magazine, (featured interview) Oct. 2010
    Paul Carey-Kent, "London Highlights" Saatchi Online, May 2010
    Sandra Smallenburg, "Kunst Dossier", Eigenhuis, May 2010
    Artnet.com "Noted at the Armory" March 2010
    Madeleine Hunt-Ehrlich, "Contact Project Connects with Fernando Mastrangelo", Contact Project Dec. 2009
    Walter Robinson, "A little more on Miami Basel", Artnet.com Dec. 2009
    Katy Donoghue, "Thinning the Herd", Whitewall Magazine, Dec. 2009
    Wolfgang Ullrich, "Price as the Material of Art", Kunst Magazine Berlin, October 2009
    Paddy Johnson, "Artist Rejects Opaque Art", Art Fag City, March 2009
    Jared Killeen, "Love is a smoke made with the fume of sighs", Dossier Journal, March 2009
    Ben Davis, "Twitter Esthetic", Artnet Magazine, March 2009
    Emily Warner, "Sweet Sorrow: Fernando Mastrangelo at KUMUKUMU", Bomblog, March 2009
    Karen Rosenberg, "Toplessness and Taxidermy in a Bottoming Market, New York Times, March 2009
    Richard Johnson, "NARCOTIC ART", New York Post, Page Six, March 2009
    Saatchi Online, "Volta Closes on a High" March 2009
    Katy Donoghue, "Fernando Mastrangelo at Volta" Whitewall Magazine, March 2009
    Benjamin Sutton, "Whatever Remains", L magazine, Feb. 2009
    Cara Ober, "Miami Art Fairs - Art Miami & Scope", Baltimore Arts Examiner, Dec. 2008
    Sean Smuda, "Art and loathing in Miami" MinnPost.com, Dec. 2008
    El Nuevo Herald, "Arte Scope y Art Asia: dos imponderables durante Art Basel", Dec. 2008
    Ben Davis, "Miami Madness", Artnet NY, Dec. 2008
    Nick A. Zaino III, "Take Five" Boston Globe, Feb. 2008
    Sasha Lee, "Miami Art Fair Report" Beautiful Decay, Dec. 2007
    Dan Bischoff, "Exhibits Showcase Newark Artists" The Star Ledger, Nov. 2007
    David Cohen, Seed, Artworld Digest, April 2007
    Brian Sherwin, myartspace.com Interview with Fernando Mastrangelo 2007
    Scope Art Fair, Hamptons, Catalog, 2006
    Diedre Stien Greben, "A much broader Scope" Newsday, July 2006 (article for Scope Hamptons project)
    Ken Johnson, New York Times "Art Listing" January 2006
    "de fato interviews Fernando Mastrangelo" De Fato Brumadinho, Brazil, May 2005
    Regina Hackett, "Lively 'Ergonomicon' plumbs environments awash in fantasy" Seattle Post-Intelligencer, February 2005
    Sculpture Magazine 2004 Outstanding Student in Contemporary Sculpture Award October 2004 pg. 54
    Gregory Volk, "The Class of 2004" MFA Thesis Exhibition Catalogue Richmond VA, May 2004
    Paulette Roberts-Pullen, "Let the show begin" Style Weekly Richmond VA, May 2004
    D. Dominick Lombardi, "Students, Teachers, and Mentors" New York Times, March 2004
    Pete Humes, "Sculpting a reputation for the extraordinary" Richmond Times-Dispatch, May 2003

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